Les vieux fourneaux Tome 1 Ceux qui restent
Pierrot, Mimile et Antoine, trois septuagénaires, amis d'enfance, ont bien compris que vieillir est le seul moyen connu de ne pas mourir. Quitte à traîner encore un peu ici-bas, ils sont bien déterminés à le faire avec style : un oeil tourné vers un passé qui fout le camp, l'autre qui scrute un avenir de plus en plus incertain, un pied dans la tombe et la main sur le coeur. Une comédie sociale aux parfums de lutte des classes et de choc des générations, qui commence sur les chapeaux de roues par un road-movie vers la Toscane, au cours duquel Antoine va tenter de montrer qu'il n'y a pas d'âge pour commettre un crime passionnel.
The Old Geezers Volume 1 Alive and Still Kicking
Three old geezers, activists, and lifelong friends reunite at the funeral of the wife of one of them, Antoine, who finds out about a long ago liaison between his dearly departed and the reviled billionaire who owns the factory they all worked in. Livid, Antoine jumps in his car and heads for Italy with revenge on his mind, his two buddies and his pregnant granddaughter following close behind. A chance to reminisce about the past, to fantasize about sticking it to the man, to discuss what's wrong with the world, to bridge the generation gap, to forgive and forget and settle scores. A wickedly funny geriatric road trip!
The Hartlepool Monkey
1814, off the Durham coast, near the village of Hartlepool, a war-ship in the Napoleonic fleet founders during a storm and sinks. At day-break, fishermen discover a survivor: a monkey dressed in full military regalia, the mascot. The good people of Hartlepool despise all Frenchmen, though they have never seen one in the flesh. Nor have they ever see a monkey. But this brutish, bestial castaway tallies with the impression they have of the enemy, and the ape is court-martialled. Inspired by this famous legend, this is a tragi-comic fable of war and jingoism.
A graphic tale by the author of Blankets follows the relationship between two refugee child slaves who are thrown together by circumstance and who struggle to make a place for themselves in a world fueled by fear and vice, in a visual parable that touches on themes of cultural divisions and the shared heritage of Christianity and Islam.
Aya of Yop City
For the residents of Yopougon, everyday life is good. It is the early 1970s, a golden time - work is plentiful, hospitals are clean and well equipped, and school is obligatory. The Ivory Coast is as an island of relative wealth and stability in West Africa. For the teenagers of the town, though, worries are plentiful, and life in Yop City is far from simple. Aya tells the story of its nineteen-year-old heroine, the clear-sighted and bookish Aya, and her carefree and fun-loving friends Adjoua and Bintou. Navigating meddling relatives and neighbours, the girls spend a last summer of their childhood on the sun-warmed streets of Yop City - sneaking out for dancing at open-air bars, strong solibra beer, chicken in peanut sauce and avoiding at all costs the scandal pages of the Calamity Morning.... Aya is a captivating, colourful and hugely entertaining portrayal of an Africa we rarely see, spirited and resilient, and full of the sounds, sights and smells of a prosperous town and its varied inhabitants.
Asterix and the Roman Agent
Julius Caesar resorts to psychological warfare to defeat the little Gaulish village: he's sent expert troublemaker Tortuous Convolulus to set friend against friend. Jealousy soon spreads as the Gauls become suspicious of each other. Somehow, Asterix must outwit the wily Convolulus.
The Arab of the Future
VOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOOD A GUARDIAN BOOK OF THE YEAR 2015/2016 | AN OBSERVER GRAPHIC BOOK OF THE YEAR 2016 | A NEW YORK TIMES CRITICS' TOP BOOKS OF 2016 'EXUBERANTLY HERETICAL' 'I tore through it... The most enjoyable graphic novel I've read in a while' Zadie Smith 'I joyously recommend this book to you' Mark Haddon 'Riad Sattouf is one of the great creators of our time' Alain De Botton 'Beautifully-written and drawn, witty, sad, fascinating... Brilliant' Simon Sebag Montefiore The Arab of the Future tells the unforgettable story of Riad Sattouf's childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father. In striking, virtuoso graphic style that captures both the immediacy of childhood and the fervor of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria - but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation. Riad, delicate and wide-eyed, follows in the trail of his mismatched parents: his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace. Brimming with life and dark humour, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis. Translated by Sam Taylor. WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR GRAPHIC NOVELS NOMINATED FOR 'BEST REALITY-BASED WORK' AT THE EISNER AWARDS 'ENGROSSING' New York Times 'A PAGE TURNER' Guardian 'MARVELLOUS... BEGS TO BE READ IN ONE LONG SITTING' Herald 'AN OBJECT OF CONSENSUAL RAPTURE' New Yorker 'ONE OF THE GREATEST CARTOONISTS OF HIS GENERATION' Le Monde
Harold and Maude
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and "borrows" cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living, and how to play the banjo. Harold and Maude started as Colin Higgins's master's thesis at UCLA Film School. He was working as a pool boy when Paramount purchased the script. The 1971 film, directed by Hal Ashby, bombed. But then this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. In 1997 it was selected for inclusion on the National Film Registry at the Library of Congress. This novelization was published shortly after the film's release, but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film's unresolved questions. Colin Higgins was a screenwriter, director, and producer of films that included Harold and Maude, Silver Streak, 9 to 5, and The Best Little Whorehouse in Texas. He died in 1988.
Needing a break from detective work, Blacksad takes a job driving a yellow Cadillac Eldorado across 1950s America, but when the car is stolen, he becomes embroiled in a murder.
Winner of the PEN/Faulkner Award for Fiction Everyman is a candidly intimate yet universal story of loss, regret and stoicism. The novel takes its title from a classic of early English drama, whose theme is the summoning of the living to death. The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age when he is stalked with physical woes. The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all.